Thursday, October 12, 2006

Golf Plein Aire Photos

Here are some photos of me from the Topeka Country Club Plein Aire event with Southwind Gallery.















These were taken by:
Amy Lahr
On Location Photography
8541 Greenwood Lane
Lenexa, Kansas 66215
(913) 438-8233
alahr@sbcglobal.net

To see some of the other great photos of participating artists you can go to: http://onlocation.smugmug.com/gallery/1996544

Wednesday, October 11, 2006

Golfers let artists paint through

I was quoted in the Capital Journal again! This "Plein Air" event gave me the opportunity to commune with a lot of well known Kansas artists who work full time in their craft. They are living the dream! It was very inspiring to be around so many creative people.

Having not painted "Plein Air" before, it was an exciting challenge. While talking to the other artists who are not golfers, I found that being a golfer myself, I had a different perspective on the subject. I selected a spot on hole 3, in the rough near a maple tree which had started to color for fall and began with that as inspiration. As the painting developed, I started to imagine how I would feel if I actually had my ball lying where I was painting. Suddenly, the trees became looming obstacles and I could see the light over the hill which hid my goal. This created the opportunity for me to personalize the piece with an emotional reaction. Here is my result from the day:



Below is the article:


Ann Williamson/The Capital-Journal
Lawrence artist Stan Herd puts the finishing touches on a plein air painting Monday at the Topeka Country Club.

Golfers let artists paint through

Published Tuesday, October 10, 2006

By Bill Blankenship


The golf carts at the Topeka Country Club carried artists and easels Monday instead of players and clubs.

About two dozen artists spent the morning painting outdoors at the tree-lined, 18-hole private golf course in an event organized by Gary Blitsch, owner of the SouthWind Gallery at Framewoods of Topeka.

The French term for what the artists were doing is "en plein air," which means "in the open air," and for some of the artists, outdoors is the only place to work.

"In my book, painting outside is a necessity. You learn so much more outside than you do in your studio," said Judith Mackey, the Cottonwood Falls artist known for her landscapes of the Flint Hills and the Kansas prairies. "Nature is a good teacher."

While Hugh Greer, an award-winning artist from Wichita, spends more time painting in a studio than outdoors, he agreed about plein air exposing an artist to colors beyond his imagination.

"Colors come out of you here that you wouldn't normally see," Greer said.

Working outside often requires a faster pace than painting in the studio, he added.

"You have to work faster and try to capture the moment," Greer said. "Here you don't have a lot of time to dink."

Dana Hassett, a painter who recently moved to the Topeka area from Burns, called plein air painting "more tactile" than working in a studio.

"I think you get the real essence in a painting when you're in the fresh air and the wind blows your easel over," she joked.

Like Mackey, Hassett is more used to painting in the open prairies than on a carefully groomed golf course like Topeka Country Club.

"It's a little more manicured, to say the least," she said.

However, Stan Herd, of Lawrence, spotted a connection between the golf course greens and the fields where he has created works of art.

Pointing out the mowing patterns on one green, Herd said, "It reminds me of lines in a field. That pattern tripped my trigger."

Herd said he recently immersed himself in plein air painting when he and his son did a 12-day, 104-mile trek from Lawrence to Cottonwood Falls, during which he created 16 paintings.

Topeka artist Michelle Leivan was trying plein air painting for the first time Monday.

"I paint outside a lot, but I usually do it from a reference photo or from my head," said Leivan, whose inspiration Monday was the turning of maple leaves to their autumn colors.

When they made way for afternoon golfers, some of the artists had nearly finished works. Others will use what they did Monday as a starting point.

"You get basic shadows, basic lights, forms, shapes, then you take the thing into the studio and refine it," Walsh said.

The final works that began Monday at the Topeka Country Club will be displayed and sold there at a Dec. 5 reception.

Bill Blankenship can be reached at (785) 295-1284 or bill.blankenship@cjonline.com.

Saturday, September 23, 2006

New Prints from Art.com

Click an image below to be taken to Art.com and more Leivan prints.

Wednesday, September 20, 2006

New Leivan Products at Cafe Press.

I have recently uploaded images to Cafe Press for unique gifts for my collectors. Please click on banner below to see the new products.


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Sunday, September 17, 2006

Our Trip to NYC pix.

Click on the above loop to see it big, I also have comments added.

Friday, September 15, 2006

NYC Reception August 31st

It's about time that I send a few moments to tell everyone about my NYC opening. In a nutshell it was delightful. The whole trip was fun! I got to meet several of the artists. and one of the "characters" that frequent the galleries.

To start off one of the German artists, Wojciech Cypko, was unable to make it due to his health so he sent his son and the son's girlfriend. Dillon and I rode up the elevator with them and they were delightful.





Then I met another German artist, Irene Brandt who's day job is a translator of Spanish and English. She is warm and inviting. She finds it fun to watch people smile when the veiw her pieces.




After that I discovered one of my "neighbors" on the wall, Derek Alvarez and discovered he was from Tucson, AZ. He is a young artist who enjoys showing his work in the west. He was joined by two friends and was as excited as I was about showing in NYC.

Finally from the artists, I met Anissa Mendez my other "neighbor" on the wall and she is a teacher from a Brooklyn school and I'll tell you Dillon was certainly wishing she'd move to town so that he could take art classes from her. She is a whole lot of fun and was surrounded by suportive friends and family. (Ok, I look like I've had too many drinks in this picture but I swear I was just having fun!)

To find out more about my work or the other artists or the gallery you can go to www.agora-gallery.com or www.art-mine.com.


The evening really got interesting when I was approached by a fascinating guy. He asked me if I was one of the artists, when I said, "yes" he told me that he had something for me. He handed me 4 pieces of paper with printed images of my paintings saved from the web and prose that he wrote about how my pieces had moved him. I was surprised and delighted. His poetry is pretty insightful and I think they make an interesting juxaposition to the three pieces for which I myself wrote prose. I also find it interesting to discover the reaction my audience has and he has certainly found a fun way to convey his reactions. He is an Algebra teacher in the area and has done over 5000 of these pieces, drawing from artist's pieces he found showing in various NYC galleries. The number at the beginning coresponds to the number of the poem he has done for the piece there are also pieces that he does more than one poem for. He says that he never knows where a piece will take him and he is usually surprised by the outcome. He does not post the painting/poetry on his website but there are some other poems he wrote. If you would like to know more about him here is his website: www.theskaldicsoul.com

4969
Thinking of Yon 1
[by S. David] [for Michelle Leivan]
I said it was done
Over with finished
She kept calling me Kept telling me
She was thinking of me But it couldn't work
It still can't work
I came across her picture Not to hard to do
In my wallet it's there Still
11 § [Orig 8/07/06]




4970
Resolve 1
[by S. David] [for Micelle Leivan]
She's here
In the other room Getting undressed No way I can Keep her away Do I want to
Yes no maybe Tried to work
It out so many Times before She says we're Connected
She comes There's no way She can stay Away
We live in Different Directions
Still she comes She calls me Won't go away
22§ [Orig 8/07/06]




4968
Addiction 1
[by S. David] [for Michelle Leivan]
She crashed again Fucked up again
It started as fun New feelings flying It turned hooked her She's fucked up again And for a fix again She'll fuck anyone
8§ [Orig 8/07/06]


4967
Subservient 1
[by S. David] [for Michelle Leivan]
No no it's a dream
A man's dream
Too too beautiful Too ready too
But I can't accept
I just couldn't deal There's more to you More in side you Please dreams like this Can't last no
I need an equal
Even if she'll defer And often lets me Take the lead
No not a woman Subservient to me Take your clothes off
17§ [Orig 8/07/06]

Friday, September 08, 2006

Artist shows in T-Town and NYC


"If you happen to be in New York this weekend, you can check out Michelle Leivan's art at a trendy SoHo gallery on lower Manhattan, but you also can find the Topeka artist's works Saturday at the first Aaron Douglas Art Fair."

This is the first paragraph in the wonderful article written by Bill Blankenship for the Topeka Capital Journal.

To read the rest go to: http://cjonline.com/stories/090806/ent_artshow.shtml

I am very excited about the art fair this weekend, details on the previous blog and it was especially exciting to have a feature in CJonline and the Topeka Capital Journal.

I will be having several of my Feminine Desert Series, Celestial Correspondence Series as well as many brand new paintings. My large sunflowers are still hanging at the Govenor's office, but I will have several other pieces from my floral series on display as well.

The fair is free for the public to attend, so stop on by I'd love to see you there.

Thursday, September 07, 2006

Aaron Douglas Art Fair: A Celebration of Community

I was selected as an artist for this art Fair: I hope to see you at the fair! Please stop by my booth and say "Hello."

Admission is free!

This is the first Aaron Douglas Art Fair, scheduled on September 9th, 2006 from 11am until 4pm. Look for it at the Aaron Douglas Art Park between Lane and Washburn on 12th Street in Topeka, KS.

The public is invited! The theme of the Aaron Douglas Art Fair is "A Celebration of Community". This event will include art, children’s activities, affordable food and music. For further information, call Robert Haggard at (785) 273-3072 or e-mail ichabod5@aol.com or go to the Turnaround Team website: www.turnaroundteam.org/art/index.html


Scheduled music (time) (artist) - (flavor)
8:00 - 10:00 SETUP
10:00 - 10:45 - Scott Burr - Guitar
10:45 - 11:00 - Continuous Praise - Gospel
11:00 - 11:45 - Glass Coffee Table - Vocal Jazz
11:45 - 12:00 - Sally Dorrell - Spoken Word
12:00 - 1:00 - Irving Curtiss Quartet - Jazz
1:00 - 1:05 - Judged Winners Announced- Robert, Sponsors Annouced
1:15 - 1:30 - Sai Formsbee - Acoustic Guitar
1:30 - 2:15 - Sarah Blacker - Acoustic/Folk Rock/Jazz
2:15 - 2:30 - People's Choice Announced- Andrea, Sponsors Annouced
2:30 - 3:15 - 13th Step - Classic Rock / Blues / Jam Band
3:15 - 3:30 - Sponsors Thanked
3:30 - 4:15 - Andy McKee - Acoustic / Progressive / Ambient
4:30 - 5:30 - TEARDOWN and more!

Click on ME for the ART you are looking for! This is some of the Art submitted to us so far.

Click here for a map -->Where the Aaron Douglas Art Fair is!

Tuesday, August 22, 2006

Interview on TV!


I was interviewed concerning my Agora Gallery show by Dana Davis from the local TV station KTKA 49 news for their "Good Morning Kansas" show. It aired at 6:30 a.m. today and then mentioned again during the 6:00 p.m. broadcast. Here is the link to see the story:

Artist connects to the world through
broad brush strokes, vivid colors
Tuesday, Aug. 22, 2006

Monday, August 07, 2006

Why the yellow bald nudes?

This is a question that I get asked a lot. So I thought I'd answer it here.

I'm not sure where the colors come from... its compulsive, something I have to do like a calling and it hasn't gone away...in years. I accepted that fact a long time ago and so now I just set up the easel and get out the paints and allow the process to guide me to deeper understanding of myself.

I believe the bald nudes solidly reflect my inner self, or if you can better appreciate the soul symbolically. The paintings are about what is going on inside of me and I trust a lot of intuition to do its work while I'm in the passion of painting. I find that it is very cathartic and there are times I just must paint or become unbearable for those around me.

I guess you could say it serves my therapy and a way for coping with all that life throws I me and when you are looking at my pieces you are viewing my psyche. But of course, remember your reaction and interpretation is steadily reflects your own psyche in effect artist and viewer become aware of one another on some profound level.

So, I invite you dear friend sit back and enjoy the ride and welcome to the world as I see it. :)

Friday, August 04, 2006

Found Art! Keep an eye out for it!


I found this absolutely awsome site! www.foundart.org

I have decided to participate in this exciting new adventure. I'll be leaving small samples of my artwork where ever I happen to go. If you have found one of my pieces please let me know what your thoughts were. You may just stumble upon one of these pieces of artwork during your hectic day... take a few minutes and follow the instructions and feel fortunate that you found someone in the big bad world that cared enough to send out a random act of kindness through their own artwork.

The concept from the site is:

"Found Art! strives to make the world a better place right now by empowering people across to globe to share on a soul level. We believe in the power of art to communicate and heal. We believe all people are creative and that the expression of that creativity opens the heart of both the creator and the receiver. Open hearts communicate at a deeper level, are naturally more compassionate, and are more aware and concerned about our global family. "

Thursday, June 29, 2006

Constitution Hall Mural here in Topeka

I had the opportunity to work on this project this week. I have been spending evenings going down to help finish this project. The lead artist Cally Krallman and notable Governor’s Muse, Don Lambert were great to work with and I believe we did justice to this historic event. I got to spend most of my time working on the Dragoons at the south end of the mural shown here.

Excerpts from the CJ online article concerning the piece:

“The painting began June 19. Krallman and Chris Meinhardt, who is an architect and leads the Friends of the Free State Capitol, did the sketches that volunteers are painting.

On the south end of the mural is the depiction of Col. Edwin Sumner, who led the troops sent by President Franklin Pierce to break up the efforts to write a free-state constitution.

J.P. Root, who was at the convention in Topeka on July 4, 1856, and later was Kansas' first lieutenant governor, recalled Sumner's words:

‘This is the most painful duty of my life, but the president of the United States has ordered it, and I must obey.’

Root went on: ‘At the same time the voice of the 'Old Bull of the Woods,' as he was called on the frontier, trembled with emotion, and the tears in streams ran down his sun-burnt cheeks as he gave the order dispersing the Free State Legislature of Kansas.’

The Friends of the Free State Capitol's goal is to have a site open year-round to publicize Topeka's role in the history of the state and the nation.

‘This is where Kansas got its start,’ Meinhardt said. ‘We should be proud of what our forebears have done.’

TO HELP

Friends of the Free State Capitol welcome donations at P.O. Box 2551, Topeka, 66601.

CELEBRATE

A ceremony for the 150th anniversary of the dispersal of the Free State Legislature and the dedication of the Constitution Hall mural will be at 11 a.m. Monday in the Topeka and Shawnee County Public Library rotunda, 1515 S.W. 10th.

To see the whole story:
http://cjonline.com/stories/062806/loc_historicmural.shtml

A little more history from Wikipedia.

‘Constitution Hall’ was the name given to a two-story building at this site, 427- 429 S. Kansas Avenue, Topeka, Shawnee County. In 1855 Free State settlers wrote a territorial constitution (‘Topeka Constitution’) and elected a legislature that met in Topeka to demand the admission of Kansas to the Union as a free state and challenge the fraudulently elected proslavery legislature. The Free State constitution prohibited slavery in the territory. This building became known as the Free State capital. On July 4, 1856, federal dragoons dispersed the Free State legislature when it met in session.

‘Constitution Hall’ served as a center of community activities in Topeka during the Bleeding Kansas period. From 1864 to 1870, the capital of Kansas enclosed old Constitution Hall and extended at each end. The enlarged structure housed all the offices for the state government until a more prestigious capital building (still in use) was constructed.

Saturday, June 24, 2006

Untitled (Help me title this one)


Untitled: 24"x30"
Painting: Acrylic on Canvas

Oh, I can't express how much I like this little lady. I think I fell in love with this piece about half way through. Her pose is so relaxed and exudes confidence and stability with self. And there is a bit of sparkle in her eye daring you to cross her and see just how well she can handle the pressure. She even reminds me of a comic book superhero such as Witchblade, Aeon Flux or maybe even Storm.

The biggest problem I have is that I do not have a clue as to what to name her. It is a very common problem among artists and so I'm posting this and maybe you all can help with my naming process. I guess that is what the "interactive" is all about.

While painting her I struggled a bit with the feet. Initially I had more foot and leg showing below the crossing leg and it looked like a strange bit of flesh filling in the bottom. So like a good artist (if it doesn't work fix it) I went back in and completely eliminated the foot, at this point she looked as if she was floating in the air and she had reached the top and was banging her head against the boundary... Not so good. Then I decided to replace the foot, this time curved the toes giving the front foot more character and brought her back down to earth. This simple change made all the difference in the world on the success of this piece.

I think that I'm actually getting a little more comfortable working at this size. The slowness of the drying time is still frustrating at times but I find that working on another piece while waiting or just simply taking a break and looking at it has it's advantages as well.

More Figurative Paintings

Saturday, June 17, 2006

Afterglow

Afterglow: 30"x24"
Painting: Acrylic on Canvas


"I'm so happy just to be with you, Just love'n you the way I do." Have you heard or do you remember that little ditty by White Snake? This piece speaks to me of happiness in the moment, not caring about the rest of the world and expecting the happiness to last forever. I think maybe it goes beyond expecting but looking toward the future for happiness as well as in the here and now.

I'm not quite comfortable yet with this particular size of canvas, I so wanted to make large bold strokes and use my entire arm to express this piece. I found that smaller brushes allow for more arm movement and a simulation of working on a larger piece. I am sure it will not take long for me to find my niche working with this limited size.

I handled the background in this piece much like the last one, just exploring the options you might say. I believe it gives it some depth and stabilizes the figure within the space. You will probably see a fluctuation between these backgrounds for a while as it will probably depend on what the piece seems to want.

experimentation is what living as a creator is all about. Each piece begins with the exploration or adventure concept and builds upon itself toward completion. Unlike a scientist, initially I do not always know what the thesis is but eventually it reveals itself. In the end I either successfully have a finished piece or it goes into the rework pile. Either way I've learned something without regret. Enjoying the process of putting brush to surface with what ever result is important and necessary to being a creator which can give you some insight on the divine.

More Figurative Paintings

Thursday, June 15, 2006

There You Are


There You Are: 30"x30"
Painting: Acrylic on Canvas

This gem is one of my new June paintings. It resembles the pieces in my Celestial Correspondence series but is much, much smaller. I wanted to challenge myself to paint smaller. The experience was a little frustrating as I missed the full arm brush strokes used in my larger pieces.

I have also changed the way I have been handling my backgrounds by making it lighter and giving a darker base for the figure to lay on. This gives the piece a sense of grounding and is a little more comfortable for the viewer to identify with the figure.

My husband was really uncomfortable with this change and felt that I was moving away from my style. I believe it is just another step in the ongoing experiment that every painting seems to be a part. This makes me think of Stephen King’s Dark Tower Series and how many of his stories throughout his body of work somehow intertwine with the larger storyline. You can see that all of his characters are somehow related which logically they have to because they are all connected through him. This is my story in pictures and somehow all of my paintings reflect some aspect about myself that is a result of continuous research to reveal the human condition and what is sacred about each of us.

This lady reflects the degree of comfort I have recently found in myself. Becoming more comfortable in your own skin is worth more than gold. Of course looking carefully into the eyes you can see I'm not quite there yet but working hard to find the inner peace that comes with age and experience. I am not sure if the eyes are ever watchful and vigilant or full of continued curiosity and wonder about the world. What does the eyes say to you?

More Figurative Paintings

Wednesday, June 14, 2006

A Recent Biography

Educated at Fort Hays State University, Michelle Leivan has been distinguished as the featured visual artist at the Kansas River Valley Art Fair, Topeka Jazz Festival and has been nominated for the Kansas Governor’s Artist Award. Michelle has participated in one person shows and exhibits at the Manhattan Arts Center, Art Council of Topeka, True Art Gallery and Topeka Performing Arts Center. She has also exhibited in several juried competitions on the internet. Her work is represented in the Ellis County Historical Archives as well as in several corporate and private collections.

Most recently, she has expanded her exploration to the floral form with the challenge of creating an expressive and distinctive womanly style. Her bold pallet and energetic paintings weave philosophical and intuitive compositions for modern contemplation of the sacred feminine. This style has been cultivated by her life long artistic expression through spiritual reflection of everyday experiences and environment. Four of these new sunflower pieces were honored by being selected hang in Kansas Governor Sebelius’ conference room for the second quarter of 2006.

See my website for more.

Opening to the Sun


Opening to the Sun: 24"x24"
Painting: Acrylic on Masonite

This simple tulip was painted plein-air. It opened and finally began to close during the course of my work that day. It was exciting to see the uncomplicated logic behind nature and the little magic that you find when you take the time to truely observe.

You might notice too that this piece is on Masonite it has been a long time since I painted on this kind of hard surface and I was reminded that the paint acts so much different depending on the surface on which it is applied. Fun!


For those who don't know what plein-air is; its a fancy French term which means painting out of doors under natural light with the subject in front of the artist and the piece is usually done in one sitting.

More Floral Paintings

Tuesday, May 30, 2006

NYC Representation

I am almost speachless. After many years of toil I have finally found representation in NYC through Agora Gallery, 415 West Broadway, Soho, NY.

My exhibition dates are August 25th, 2006 through September 16th - Tuesday - Saturday 11am - 6pm
The reception will be August 31st from 6pm to 8pm.

The Gallery's site is: www.agora-gallery.com
Their companion website for buying art online is: http://www.art-mine.com/ArtistPage-ID-54559.aspx of course I am going to send you to my page on the site first.


P.S. They said some really nice things about my work, I finally got my laptop back so now I can pass it on a quote.

"Your Work: The paintings exhibit strength in a resolute and innovative style of work, with radiant forms emerging out of a maze of color and conveying an infinite number of emotions. One soon discovers that the work is not about the recognition of form but about a formidable energy that saturates and permeates all of the paintings. Excellent Work."

Pretty awsome if you ask me. I am looking forward the this year's adventure.

Tuesday, May 23, 2006

It Can't Be Said


It Can't Be Said : 57"x57"
Painting: Acrylic on Canvas


This is another of my Celestial Correspondence series. I believe it was the first of the series. I painted this about the time I found out that my hubby was going to leave for Iraq.

This piece speaks to me on so many levels. There is the ominous lighting that creates the illusion of being silenced by the hand. It reminds me of the esoteric symbolism of the 15th card of the major arcana of the Tarot or "Devil Card:" the situation is not always as it seems.

"This card would warn someone of a deception of appearances in a person or situation. Someone or something is not what they or it appears to be. This card could also alert someone to negative emotions that are oppressive and hindering growth. It would be wise to look within and see why or how these feelings are being motivated and deal with them in a positive manner."
http://www.psymon.com/tarot/15-devil.html

At the time, life seemed completely out of my control. I felt "gagged" by the situation. I had no choice in the matter and was placed in the position of forced acceptance. After I finally decided to give in and truely accept the situation rather than wallowing in my own self pitty and frustration because those negative feelings would serve no purpose. I found an inner peace and the knowing that my husband would return and we would both grow from the experiance.

As I look back the hidden gift was the discovery of my own inner strength and a deep well of patience that I found during this trying period in my life. As things turned out I am stronger, more confident and very resiliant as a result.

Please take a moment and let me know how this image speaks to you.

Monday, April 24, 2006

Sunflowers for the Govenor

I currently have 4 of my sunflower paintings (posted below) displayed in the innersanctum of the Kansas Govenor's office! They were selected by the one of the Govenor's personal friends who helps to concieve of themes for quarterly rotation of images inside the Capital. Luckily several of my paintings were on display at SouthWind Gallery in Topeka and she selected all 4 of my pieces to hang in the meeting room just outside the Governor Sebelius's working space. The huge space was perfect for my large format paintings. They will be on display through June.

Wednesday, March 22, 2006

It's Been Too Long

It's Been Too Long: 57"x57"
Painting: Acrylic on Canvas

This piece developed shortly after my husband's 2 week leave in July of 2003. The time we had together just flew by and there was never enough time to make up for the 6 months he had been gone already. We needed to get to know each other and explore how we had changed so we could make a new solid connection then "poof" he was gone yet again. It was like being cruely teased. Time seemed to be the enemy and his return seemed too far away. I turned to my paints to express the desire to stay strong and not to give in to the welling despair and loneliness. Prior to this period in my life, I had no idea that you could miss someone with your entire physical self and the seemingly endless pain that could manifest because of the absence of a loved one. This must have been his struggle as well because the calls came more frequently and the discussions much more meaningful. I developed a richer, deeper and soulfull definition of our relationship through this personal struggle. Now that he has been home for a year that new definition remains now our relationship is much the richer because of the war. This image serves to remind me of this struggle and redefinition of my souldmate. It is only now that I realize the deep impact and longevity of my experiances.

About Celestial Correspondence Series


I thought I'd share on this blog a very personal and emotionally charged series of paintings. The following several posts will involve this series but here is some background on the pieces. These pieces are older than the flower series I am currently working on, but I thought you would enjoy these too.

"Celestial Correspondence” by artist Michelle Leivan, is a series of paintings which are a product of a spiritual search spurred by the war in Iraq. This work documents her reactions to the complex social and emotional environments of the absence of her husband, Captain Lenard (Chuck) Leivan of the 2/130 FA, who recently returned from a 12 month deployment in Baghdad. Michelle’s abstract nudes capture the private conflict and attitudes that women face with an abrupt and undesired separation.

Pride opposed by desire, Michelle refused to be crushed during this separation, a refuge was found in documentation of her private struggle through painting. Within the subtle essence of facial expression and gesture, Michelle invites you to find the empathy and understanding of a soldier’s wife’s inner voyage during this time of great national importance.

Educated at Fort Hays State University, Michelle has been distinguished as the featured visual artist at the Kansas River Valley Art Fair, Topeka Jazz Festival and has been nominated for the Kansas Governors Artist Award. She has participated in one person shows and exhibits at the Manhattan Arts Center, Art Council of Topeka, True Art Gallery and Topeka Performing Arts Center. Her work is represented in the Ellis County Historical Archives as well as in several corporate and private collections.

Sunday, March 19, 2006

Demure


Demure: 30"x30"
Painting: Acrylic on Canvas


This purple cone flower reminded me of being an adolesent. My son is just starting this period in his life, so I'm reliving that period in my life to some degree. I remember being a bit shy, kind of a wallflower hence, demure and mysterious... because reality is I didn't have a clue what was really going on.

This piece seemed to be so fluid when it was created, which is such a change from the reaction I had viewing the finished product.

My Florals

Responsive

Responsive: 6"x4"
Painting: Acrylic on Canvas


Complete attention to a subject will make you responsive. This purple cone flower made me wonder what it was reponding to. Is it just the sun that brings out all of it's beauty or is it really trying hard to be the prettiest on flower in the field?

My Florals

Resistant

Resistant: 4"x6"
Painting: Acrylic on Canvas



This purple cone flower shows exactly how I feel when I'm resistant to things, especially change. All the flags go up and I push out to keep the new event away, far away.

More Floral Paintings

Reactive

Reactive: 4"x6"
Painting: Acrylic on Canvas


This painting is of a purple coneflower. I felt that it seemed to that I had just caught it at the beinging of reacting to a uncomfortable situation. Some of the leaves are relaxed but a couple gives away the beginnings of as stressful situation.

More Floral Paintings

Explosion

Explosion: 36"x48"
Painting: Acrylic on Canvas

We all experiance the bottled up energy and the beauty that is the result of releasing it. This sunflower seems to me to be at the pennicle of explosion. The ooh, and ahh of fireworks, or the glorious crescendo of an orgasim.

More Floral Paintings

Triumphant

Triumphant: 36"x48"
Painting: Acrylic on Canvas

With every triumph is those small nagging regrets, like a double-edged sword. We all want the glory of winning whatever the contest. This sunflower is learning that valuable lesson.

More Floral Paintings

Windswept

Windswept: 57"x57"
Painting: Acrylic on Canvas

This was one my first of the sunflower pieces. I painted it outside and the wind found itself a subject of inspiration. This piece I wanted to make sure it captured the wind and that meditative state when blown by a fall breath from mother nature.

More Floral Paintings

Permissive

Permissive: 30"x30"
Painting: Acrylic on Canvas

I planned this piece much more meticulously than I usually do. This little sunflower had to give me permission to leave it in it's current state and is much more meaningful and expressive than the planned piece. It seems the more I plan a painting the more I struggle to get it right. I leave myself so much less lattiude for failure when I make plans, maybe this piece was trying to teach me a lesson, like I needed it again... fear not failure.

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Coy

Coy: 30"x30"
Painting: Acrylic on Canvas

This purple coneflower piece was in such a hurry it nearly painted itself which is a complete contradiction to the name I gave it. It was on an easle at the same time as my "Permissive" piece and was actually painted with extra paint left on the pallet for the more planned piece. It's sneakiness is to be considered in juxaposition between it's conception and the finished product. It speaks to me of the manipulative side of someone being coy. Again this piece also trying to teach the lesson of allowing for mistakes.

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